Absorption or porosity value, 134
Acetone, 21, 50, 56, 57, 59, 129
Acid-base behavior of ceramic materials, 134
Acid etching, 134, 135
Acrylic medium, 53, 107,115
Aerial perspective, 8, 135
Aerosol, 21
Alcohol, 14, 21, 129-131, 135
  denatured, 21, 48, 129
  ethyl, 130
  isopropyl, 130
  methyl, 131
Alta Rider, 48
Alumina, 136
American china, 136
Ammonia, 129
Amyl acetate, 129
Analogous color harmony, 9, 11
Aniseed oil, 103
Arm rest, 85, 87
Asphaltum, 136

Ball clay, 136
Balsam of Copaiba, 104
Basalt ware, 136
Bat wash (kiln wash), 136
Belleek china, 136
Benzene, 129
Benzine, 129
Bill Standley, 81
Bismuth nitrate, 37, 39
Bisque or Biscuit, 136
Black, 13, 17
Blattenberger, Marci, iv., 50
Bone china, 1, 2, 26, 136
Bone ash, 136
Borax, 137
Brushes, 117-124
  badger hair, 119
  bristle, 119
  camel hair, 118
  fitch hair, 119
  mongoose hair, 119
  monkey hair, 119
  ox hair, 118
  sable hair, 118
  squirrel hair, 118
  synthetic hair, 119
Brushes, questions & answers, 123-124
Burnish gold, liquid, 61
Burnish gold, Roman, 61
Burnishing techniques, 65,66, 137

Cadmium based colors, 14-16
Camphor oil, 104
Castor oil, 101
Celsius and Fahrenheit (conversion table), 109
Chemical water, 137
Ceramics (general term), 1, 137
Ceramic stains, 11
Chemistry of colors, 137, 138
Cheverul, Michel E., 5, 8-9
China, 1, 138
China Mist®, 139
Chipping off, 139
Chroma, 139
Chromophore colors, 138
Clay body, 136
Clove oil, 103
Closed mediums, 27
CMC, carboxymethylcellulose, 139
COE, coefficient of expansion, 139
Collins, Paula, 8--81
Colloidal colors, 138, 139
Color compatibility, 14-17
Color wheel, 5, 10
  hue, 5-7
  value, 5-7, 153
  saturation, 5-7
  tint, 7, 8
  shade, 7, 8
  tone, 7, 8
Complement color harmony, 9
Complementary colors, 7-9
Cone temperatures (conversion table), 109
Cones (see pyrometric cones), 150
Contrast varnish, 140
Copaiba, 104
Copper, 39
Cover coat varnish, 32, 33, 140
Crackled (crazed) effect, 24, 25, 140
Crawling, 140
Crystal effects, 25
Crystal Magic, Marci's, 25, 50, 51
Cullet, 140

Damar varnish, 104
Davies, Graham, 86-88
Decals, 31-33, 141
Dinsdale, Allen, 137
Detergent as medium, 108
Delft blue ware, 28, 29
Dichromate, 141
Donatella Viggiani, 81
Dry foot, 142
Dunting, 142
Dusting, 19, 20, 35, 142

Earthenware, 1, 26, 142
Egg Tempera medium, 112
Egyptian paste, 142
Enamel, 82-85, 111, 112, 142, 143
English mixing medium, 113, 114
Engobe, 29, 143
Essence, 143
Essential oils, 100
Etching (faux), 23
  (with acid), 44, 134, 135
Ethylene glycol, 107, 130
Eutectic, 143

Faber , Birrens, 5
Faience, 144
Famille rose, 144
Fat oil of turpentine, 104
Faust, Peter, 39-40, 87
Faux etching, 23
Fiberglass, 95, 96, 144
Feldspar, 144
Firing of gold, 66, 67
Firing raised paste, 85
Flux, 2, 11, 12, 37, 39, 144
Frit & fritting, 11, 145
Fusion, 145

Gasoline (benzine), 130
Gems & glass:
  crystal ice, 94
  dichroic glass, 94, 141
  fiberglass, 95, 144
  glass jewels, 93
  laser beads, 95
Glaze, 3, 145
Glue, 95
Glycerin,106, 130
Glossary, 134-154
Glossy surface, 18
Glost fire, 145
Gold & precious metals, 39, 59-76
Gold chloride, 145
Gold leaf, 64, 65
Gold powder, 63, 64
Gray, Neutral, 7, 8
Greenware, 145
Grinding colors, 13, 98, 99
Grounding colors;
  dry grounding, 19, 20, 35, 142
  wet grounding, 20, 21, 145
Gum Arabic, 106
Gum tragacanth, 106

Hardening on, 145
Henry, Gordon, 113
Hide glue, 24
Hue, 5-9
Hydrofluoric acid, 153-154

Inglaze, 11, 12, 25, 26, 145
Intaglio printing, 146
Interference paints, 22, 23
Iridescent colors, 22, 23

Jasper ware, 146

Kaolin, 146
Kerosene, 130
Kiln demon, 146
Kiln fumes, 146
Kiln Shelves, 26
Kiln temperatures, 2, 140,147,150
Kiln ventilation, 15, 38
Kiln wash, 26, 146
Knobler, Nathan, 5

Lacquer thinner, 21, 131
Lamp oil, 130
Lavender oil, 105
Lead solubility, 146
Lemon oil, 105
Light, properties of, 137
Linseed oil, 102
Liquid bright gold, 39, 60, 61
Low-fire glaze, 18
Lusters, 37-57, 148
  application methods, 44-47
  crystalline effects, 50
  dispersing agent, 49, 142
  firing luster, 54, 55
  luster colors, 40-43
  luster, formula, 37
  luster thinners & solvents, 46, 51-53, 132
  precious metals, 39
  questions & answers
    resists, 53, 54
    surface effects, 47-51

Majolica, 26, 148
Matt colors, 23
Mediums, 97-116
Metallic oxides, 11-14, 26
Metallic paints, 22
Metholated spirits, (see methal alcohol) 129
Mildew, 148
Mineral oil, 22, 101, 108-111
Mineral spirits, 21, 131

Nitrobenzene, 131
Nitrobenzol, 131
Noble metals, 149
Norton, F.H., 137

Oils (see mediums)
Oleoresin, 100
Onglaze (see Overglaze)
Overglaze, 11, 12, 26, 149
Oxides, 11-114, 26
Olive oil, 101

Paints, Q & A 34-36
Padding, 19, 20, 149
Paint thinner (mineral spirits) 131
Palladium, 39
Paradichlorobenzene, 38
Patrizia Arvieri, 81
Peanut oil, 101
Pearlescent colors, 22, 23
Pen work mediums, 114 -116
Pin holes, 149
Pink, Violet & Purple, 13, 17
Platinum, 39
PPIO (Porcelain Painters Online International) iv
Porcelain, 2,26, 145, 149
Pouncing (padding), 19, 20, 149
Print Council of America, 30
Print techniques, 30-33
Propylene glycol, 107, 130
Protection from solvents, 127-128
Psychology of vision, 5
Pyrometer, 150
Pyrometric cones, 2, 3, 147, 150, 151

Quartz inversion, 151
Questions & Answers:
  brushes, 123, 124
  gold, 67- 71
  luster, 56, 57
  porcelain paint, 33-36
  raised paste, 88-92

Raised paste and enamel, 77-92
Raised paste definitions, 77, 78, 151
Raised paste, how to apply, 79-81
Raised paste mediums, 82-85, 111, 112
Recipes for mediums, 108-116
Red colors, 14 -16
Reduction kiln environment 37, 38, 151
Reflectance, 11
Refractory, 151
Resin, 100
Resist, 151
Rosemary oil, 105

Saturation, 6-10
Screen printing, 32, 152
Selenium based colors, 13, 14
Scott, Paul, 31
Solvents: properties & hazards, 125-133
Spike oil, 105
Split complement color harmony, 9
Spray, 21
Stability of color, 12
Stand oil, 102
Stoneware, 2, 146, 153
Storing mixed paint, 35
Sugar, 107

Temperatures, 109
chart for pyrometric cones, 2, 147
Tin glaze, 29
Tin oxide, 153
Titanium dioxide, 22, 23
Toluene, 21, 132
Transition ions, 138
1,1,1-trichloroethane, 132
Tridic color harmony, 10
Tromp l'oeil technique, 25
Turner, Jacques, 117
Turpenoid Natural, 133
Turpentine, 105, 132

Underglaze, 11, 12, 26-29, 153

Van Dort, Paul, 36
Value, 6
Visual texture, 23-25
Vitreous, 153

Wavelength of light, 6, 11, 22, 137
Weights & measures:
  conversion table,109
Wheat paste glue, 27, 29
Whink®, 153

Xylene (Xylol), 133

Zinc oxide, 23, 154